November 26, 2011
How long is long enough for “too soon” to be long ago enough?
More specifically, when can we start using real-world events for fiction? I recently managed to catch a piece of the film Iron Sky, a dark satire of modern world events, American attitudes, and racism that tells the story of Nazis on the moon who have decided to finally invade Earth after hiding for 60 years.
Yes, Nazis. On the moon. With spaceships. Just try to not make too much sense of it.
The movie has its moments, such as the gorgeous space battle between weaponized space satellites and the Nazi fleet, the Sarah Palinesque American president and her shallow bid for reelection, and one moon Nazis conflict with her own morality after learning the true history of Nazism. Overall, not perfect, but it did get to me wonder.
When did Nazis become acceptable as comedic villains? As dark as the movie could get, the villains were over-the-top and as comical as villains on any old movie serial. Nazis have been fodder for pulp action for decades now, and Mel Brooks led the charge, I believe. He once stated that his goal was to make Hitler so ridiculous that no one would take him seriously as a leader. Maybe it’s worked. Brooks, though, is also a World War 2 veteran and was at the Battle of the Bulge, so as far as rights to mock Hitler, Brooks is covered.
But when can we start making fun of modern-day despots and terrorists? The Film Four Lions tried to do this and was met with positive acclaim. The sting of terrorism, though, it very much fresh for many people. Nazism pretty much died with Hitler, and although modern-day Nazis still exist, they are labeled as nuts and whackos, radicals without a home who have been fought and defeated, yet they still cling to an ideology that sent the world into war.
Terrorism, though, is much more complex. It still exists today, and between drone strikes and invasions, there are many who view it as a legitimate tool to fight oppression and bring vengeance upon the enemy. American imperialism is also very much tangled with exceptionalism and other extreme patriot movements.
The key is that comedy is aimed at the perpetrators of these heinous crimes, not the victims or the crimes themselves. For example, I’m not sure anyone would seriously think a comedy about the holocaust would be either appropriate or funny. Comedy based around terrorists, then, must be about the perpetrators, not their crimes.
Unless you’re racist.
Likewise, it seems we’re not too preoccupied about making movies based on recent events. How long did it take for 9/11 movies to come out? A few years? Television shows set in the modern world obviously had to address these concerns, but how soon is too soon to make a drama about terrorism? 24 was well into production when 9/11 occurred. Now, we have Homeland.
It’ll be interesting to look back on this time from twenty, maybe thirty years from now and see just how our entertainment dealt with a dark period in our history. Will we groan at our dash to capitalize on tragedy or see terrorists reduced to inept, albeit scary, movie monsters?
Just something to think about.
In any case, here’s a group of people who really wish they’d stayed in bed. See you later, and keep sharing posts!